The author points out in his artcile that variations existed in colors. But also variations existed in the application of camouflage schemes
amongst the different aircraft manufacturers, between factories, subsidiaries and the individual aircraft. It was not uncommon that squadrons
could be mixed with aircraft having different color and camouflage schemes. This can seen from Photo 1 of an in-flight photo of five Fiat CR.42s
in which two aircraft are painted in the continental scheme and the others painted in desert colors. Eisenman concludes that many of the pictures
of CR.42s and Fiat G.50s in Verde and Marrone blotches may be merely various densities of Verde, giving the impressions of two colors "and
justifies this statement that Italian colors were inconsistent."
However no data is provided that confirms inconsistencies found in paints or references that show Italian colors varied any more than German
or French colors had. Img 1 shows a close-up shot of a crashed CR.42 5-83, 83a Sq., p.13, Ali D'Italia No.1 Fiat CR.42 [2] in late 1939
which clearly shows the three tone color camouflage scheme. The light shade camouflage mottle can not be interpreted as a light shade of
green and appears closer in shade to the base color yellow. 5-83 belonged to the 83a Sq. which was later sent to Ursel, Belgium. From 1938
onwards a directive Order Sheet No. 8571 was issued to modify the camouflage schemes of Regia Aeronautica aircraft based on experience gained
from the Spanish Civil War. This camouflage scheme was applied first to aircraft of the "Aviazione Legionaria" (the Italian Volunteer Air
Force in Spain) and then to subsequent production aircraft. The new camouflage scheme the so-called "Honeycomb Camouflage Scheme" used existing
colors, however, were now applied in a more complex soft-edged mottle scheme instead of the hard edged semi-gloss finish used on previous aircraft.
The basic "honeycomb camouflage scheme" varied with each aircraft manufacturer, the unit and in many cases with the individual aircraft. This
scheme used as a base color Giallo Mimetico (Camo Yellow) or a Verde Mimetico (Camo Green) over which a contrasting color mottle was applied.
The mottle might be applied in various shapes, proportions and size. Examples of these variations were a Giallo mottling painted over a Verde
background or Verde Chiaro (Light Green) splotches over a Verde Scuro (Dark Green) or vice versa. A third color, Marrone Mimetico or Bruno
Mimetico was often added to the two basic colors. Finally instead of using Marrone as the third color, two Greens and a Yellow were sometimes
used.

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Img 1 - Fiat CR.42 5-83, 83a Sq. - three tone upper surface colors clearly evident.
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There were two basic types of the "Honeycomb Camouflage Scheme":
1 - continuos mottling, usually Dark Green over a Yellow (two tone e.g., CMPR C5)
2 - sparse mottling, Yellow or Light Green over a Dark Green base and vice versa with, sometimes,
a light mottling of Marrone or Bruno (three tone e.g., CMPR C8)
As the war progressed the camouflage schemes were simplified and the three color camouflage schemes began to disappear in
1941 when another directive was issued attempting to standardize around a simpler system, the Tavola 10.
Fiat CR.42s were known to carry the following color and camouflage schemes 1935-1943 [3]:
C1 - Macchie rade verdi e marrone mimetico su fondo giallo mimetico
1 - Giallo Mimetico 1 - 2 - 3 - 4
2 - Verde Mimetico 2 - 3 - 53192
3 - Marrone Mimetico 1 - 2 - 53193 or Bruno Mimetico
4 - Grigio Mimetico **
C1A
1 - Giallo Mimetico 1 - 3
2 - Marrone Mimetico 1 - 2
3 - Verde Mimetico 3 - 53192
4 - Grigio Mimetico or Alluminio
C2 - macchie rade verdi su fondo giallo mimetico
1 - Giallo Mimetico 3 - 4
2 - Verde Mimetico 1 - 2 - 3 - 53192
3 - Grigio Mimetico
C3 - reticolo di macchie rade verde mimetico su altro verde mimetico
1 - Verde Mimetico 53192
2 - Verde Mimetico 2 - 3
3 - Grigio Mimetico
D1B
1 - Verde Oliva Scuro 2
2 - Nocciola Chiaro 4
3 - Grigio Azzuro Chiaro 1
D2C - Anelli irregolari verdi su fondo Nocciola
1 - Nocciola Chiaro 4
2 - Verde Oliva Scuro 2
3 - Grigio Azzuro Chiaro 1
** Lower surfaces were usually left unpainted Aluminium even until the end of the 1930s when Grigio Mimetico FS 36231 began making
its appearance. Grigio Mimetico FS 36231 was the standard underside color at the beginning of the war and up to 1941.
In summary, the British crash report corresponding to the aircraft of Sergente Pietro Salvadori CR.42 13-95 can be considered accurate,
the aircaft 13-95 carrying what appears to be the C2 two tone camouflauge scheme. The Waldis and De Bortoli reference [1] can also be
considered a useful reference and illustrates how varied, complex and fascinating Italian color and camouflage schemes can be. Both the
two tone and three tone color camouflage schemes are known to have existed and mixed squadrons of aircraft painted in different schemes
was not unusual (see main photo above: five Fiat CR.42s in formation, two are finished in a uniform color scheme (verde), the closest
CR.42 is finished in the two tone scheme and the early Serie Mimetica colors and the remaining two Fiats are finished in the three tone
color scheme and the late Serie Mimetica colors).
REFERENCES:
[1] Waldis, P. and M., De Bortoli, Regia Aeronautica Caccia & Assalto, 1940-1943, Part I, La Bancarella Aeronautica, Torino, 2002.
[2] Apostolo, G., Ali D'Italia No. 1, CR.42, La Bancarella Aeronautica, Torino, 1995.
[3] Postiglioni, U. and Degl'Innocenti, A., Colori e Schemi Mimetici Della Regia Aeronautica, II Edizione, CMPR, GAVS sez Roma, GMT, 2a Ristampa, 1997.
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